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Rebeka Arce's design for Festival PIEL mimics layers of human skin

Madrid-based designer and art director Rebeka Arce has unveiled her latest campaign, an innovative design for Festival PIEL.

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White bicycle parked in front of street posters advertising cultural events and festivals, including Festival PIEL design by Rebeka Arce

In collaboration with Nico Castro, she has produced the festival's main image and an animation, which cleverly imitate layers of human skin.

Festival PIEL (piel means 'skin' in Spanish) showcases a series of experimental artists, connected by both the sound aesthetics and the emotional depth of their work.

"PIEL Festival wants to highlight the importance of the most primary aspects of sound creation, the initial moment from which the expression of conflicts or internal narratives, those that cannot be expressed through other languages, starts. That moment in which the emotion has not yet been transformed into structure, and in which still prevails the purely physiological as opposed to the rational," says Rebeka.

"The skin is a protective barrier, but also a sensitive organ. A first contact with the external world, and a measure of the personal sensitivity towards the environment. The skin mediates in perception, but also in emotion."

Rebeka works across multiple audiovisual platforms, combining traditional graphic design elements with illustration and photography. Her work is shaped by an interest in holistic design solutions, experimental but functional typography and playful colour combinations.

Two promotional banners for Festival PIEL hanging from a street lamp pole against a blue sky, displaying Rebeka Arce's layered skin-inspired design for the Madrid festival
Two side-by-side photographs show Festival PIEL campaign materials installed outdoors: a street lamp with white promotional posters attached, and a large banner fluttering against a blue sky
Street poster for Festival PIEL showing Rebeka Arce's layered skin-inspired design with typography and abstract watercolour elements on brick wall
Street banners for Festival PIEL hanging from a pole surrounded by green foliage, displaying typographic designs by Rebeka Arce in Madrid
Two panels showing Festival PIEL poster design and close-up detail of textured blue surface with layered effect, by Rebeka Arce
Street pole banners displaying Rebeka Arce's Festival PIEL campaign design against a clear blue sky in Madrid
A bus shelter advertisement displaying Rebeka Arce's layered skin-inspired design for Festival PIEL, featuring organic shapes in pastel tones with event text overlaid
Rebeka Arce's Festival PIEL poster displayed in a metal frame, featuring layered organic shapes in pink and blue with bold typography announcing the festival at Matadero Madrid
A bus shelter advertisement displays Rebeka Arce's Festival PIEL poster featuring layered abstract shapes in pink and blue tones with large typography spelling "PIEL
Row of posters on grey tiled wall including Festival PIEL poster with layered typography design by Rebeka Arce
Festival PIEL promotional materials showing a translucent white overlay mimicking skin layers, alongside an informational leaflet with turquoise accent details and typography
Abstract composition of layered translucent forms in turquoise, peach and grey tones, resembling skin texture and depth for Festival PIEL
Rebeka Arce's Festival PIEL campaign design showing layered turquoise and pink textures resembling skin alongside bold black ARCA text on cream background
Translucent turquoise layered form resembling skin texture with black text reading "LUCRECIA DALT" overlaid on a neutral background
LANOCHE text overlaid on close-up layers of textured skin-like surfaces in coral and teal tones for Festival PIEL
Hand holding a textured turquoise and white sculptural form next to ARCA text, part of Rebeka Arce's Festival PIEL campaign design
Three printed posters for Festival PIEL displayed on a concrete wall, featuring layered skin-like textures in turquoise and flesh tones with bold typography by Rebeka Arce
Abstract layered composition in turquoise, pink and grey tones with overlapping translucent forms suggesting human skin texture, framed by letters P, I, E and L
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