Looking for something?

Tap outside or press close

The best new typefaces for January 2025 from leading foundries and designers

From the timeless sophistication of SLTF Bergamot Grotesk to the cultural preservation of Munegascu, 2025 is already shaping up to be a stellar year for type.

Written By:
Haltung by Order Type Foundry

Haltung by Order Type Foundry

Wow, where does the time go? We're well into a new year and an astonishing quarter of the way through the 21st century. Meanwhile, the creative scene continues to develop at breakneck speed, and typographic innovation shows no sign of slowing down, either.

This month, type foundries and designers are bringing their A-game with releases that push the boundaries of form, function and artistry. From neo-grotesques with a modern edge to culturally significant designs preserving endangered languages, these typefaces reflect the diversity and depth of contemporary typography.

So read on as we present six of the best new font releases of January 2025. We hope they inspire you to experiment typographically and reinvigorate your design toolkit in the year ahead.

1. Place by Commercial Type

Commercial Type designer Julien Priez's latest typeface marries elegance with versatility. Place is inspired by historical forms, from 16th-century French Renaissance types to Blackletter structures while introducing forward-looking, inventive shapes.

With low stroke contrast and two full sets of capitals—Latin and Blackletter—Place shines as a display face and a workhorse for complex typography. Key to its appeal is sharp, minimal terminals, which ensure adaptability across design contexts. Overall, it's a celebration of the balance between aesthetics and functionality, making it ideal for logotypes, headers, and page navigation.

Title card for Place typeface displaying the words "Between a Rock and a Hard Place" in white serif lettering on black background
Dense arrangement of repeated typographic names and phrases in an ornate serif typeface, showcasing the Place font's decorative letterforms and stylistic variations
Dense rows of ornamental letterforms and glyphs showcasing multiple character sets and variations from a decorative typeface design

2. SLTF Bergamot Grotesk by Silverstag Type Foundry

A bold statement in uppercase elegance, SLTF Bergamot Grotesk draws from Art Deco's geometric sophistication. Its nine weights, from Thin to Black, along with more than 70 custom ligatures, make it a standout choice for luxury branding, editorial layouts and digital campaigns.

This typeface combines vintage charm with modern precision and is available for free for both personal and commercial use. Its multilingual support for over 90 languages ensures global versatility, while its sharp lines and distinctive ligatures will help you add flair to any design project.

Pink wall with white text listing global cities and a wooden-framed window in the centre
Art Deco Ligature Sans Serif typeface specimen showing the full alphabet in black and coral red with over 70 alternates and ligatures across nine weights and 90 languages
Three magazine spreads showing typeface examples: REVERIE magazine cover with a woman against a turquoise background, and an orange publication demonstrating Art Deco Ligature Sans Serif typeface with text about fashion and artistic expression
Cans of Place typeface by Commercial Type arranged overhead, showing the font name in black letters with decorative botanical and fruit illustrations on white packaging and rose gold-coloured lids

3. Munegascu by Bruno Bernard

Designed to preserve Monaco's endangered Monégasque language, Munegascu is a triumph of cultural and technological innovation. Developed by Bruno Bernard in collaboration with the Centre Scientifique de Monaco and the Comité National des Traditions Monégasques, it addresses the language's unique tonal accents with an intuitive input system. It's available to download for free.

Rather than starting from scratch, Munegascu was developed as a fork of the open-source typeface Archivo, created by Héctor Gatti and distributed by the Argentine foundry Omnibus Type. To this, an innovative feature was added to overcome the lack of Monégasque-specific characters on standard keyboards. By typing a vertical bar (|) after a vowel, the system automatically transforms it into a tonal accent, correctly positioned above the letter. This simple yet intuitive solution works with most software without requiring special hardware.

Overall, Munegascu bridges tradition and innovation, supporting multiple languages and offering a free, accessible solution for educators, publishers and cultural advocates. A fabulous project that underscores typography's power in safeguarding heritage.

Woman in white wedding dress standing at a stone balustrade overlooking a calm lake with mountains in the background, with overlaid text in French and Italian promoting luxury and pleasure

4. Milla by Vivian Dehning

Milla is a labour of love from German designer Vivian Dehning. It blends classical letterforms with hand-drawn details, evoking the warmth of handwriting and the texture of letterpress. Inspired by music, botany and rococo ornamentation, Milla strikes a perfect balance between timelessness and individuality.

With its robust glyph set supporting major Latin languages and succinct ligatures, Milla is as versatile as it is expressive. Whether used for editorial design or branding, this typeface offers a natural, authentic feel.

White serif typeface names displayed on black background, including Sublime Nocturne, Randfiguren, Luminous Elixir, Worthülsen and Grand Battement
Typeface specimen showing six different serif and display fonts labelled Truffle, Passé, Osier, Kairos, Libelle and Piano
Four-panel collage showing typography details including handwritten letters, individual letterforms 'a' and 'e', and gridded design elements from new typeface releases
Sketches and design iterations of the Place typeface alongside a white capital F on black background showcasing the final letterform design
The Place typeface displaying the full alphabet in capitals and lowercase, numerals, and punctuation marks in a serif font with minimal terminals

5. Haltung by Order Type Foundry

Drawing inspiration from mid-century neo-grotesques such as Helvetica and Univers, Haltung reimagines the genre with added "air" in its letterforms. Designed by Joe Moore, the typeface combines influences from Walter Käch, Emil Ruder and Adrien Frutiger, resulting in a refined, contemporary sans serif.

Its open apertures and subtle contrast create a sense of lightness, while its roots in classical Roman lettering bring humanist warmth. Haltung is a sophisticated tool for modern graphic design, elegantly bridging past and present.

Black wayfinding sign displaying "glacier summit ← north slopes season 11.05–4.12" mounted on a post in a snowy mountain landscape with evergreen trees
Black ski helmet with mirrored visor against snowy background, featuring Polarc branding on the shell
Icemaker barrel-turn snow cannon mounted on snowy ground with evergreen trees in background and yellow coiled cable attached
Black snowboard with white bindings standing upright in snow with frost-covered evergreen trees behind
Large white "V2" numerals displayed on a wooden shingled roof of a modern building with red metal element, surrounded by snowy landscape and evergreen trees

6. Starborne by Chisaokwu Joboson

Inspired by the cosmos, Starborne is a decorative serif that dazzles with star-like details and intricate ligatures. This all-caps typeface supports over 160 languages and would be a good option for editorial design, branding and poster work.

Designed by Nigerian type designer Chisaokwu Joboson, Starborne combines cultural resonance with celestial beauty, making it a standout choice for expressive projects.

Back view of person wearing white t-shirt printed with purple text reading "Lost Art Of Stargazing" against blue background
Typography poster featuring "Extraterrestrial Astro Interstellar Genesis Hypergalactic" in pink and cream lettering with four-pointed star symbols on a teal gradient background
SLTF Bergamot Grotesk typeface showing uppercase letters, lowercase letters, numbers and special characters in cream against a dark gradient background

7. NN Arosa by Nouvelle Noire

The NN Arosa typeface family, designed by Edgar Walthert, draws inspiration from the charm and craftsmanship of classic Swiss tourism posters. Originally commissioned by a Swiss client who provided a book of vintage travel art as a starting point, Walthert set out not to revive these classic type styles but to create a fresh interpretation that captures the essence of Swiss graphic heritage.

Rather than relying on calligraphic traditions, the letterforms in NN Arosa are inspired by the pragmatic yet expressive hand-drawn styles favoured by early 20th-century Swiss graphic designers. Designers like Hugo Laubi, Karl Bickel, and Carl Böckli crafted bold, clear, and uniquely vibrant letters unbound by strict typographic conventions, a legacy Walthert honours in this humanist sans serif.

The NN Arosa family is conceived as a superfamily, with three distinct versions—Text, Display, and Script—to be released over time. The Text version refines intricate characteristics for versatility and legibility, making it suitable for a broad range of typographic situations. With support for central and eastern European languages and meticulously crafted small caps, it celebrates Swiss heritage while offering a fresh perspective on contemporary design.

Black and white typography specimen showing typeface names Aufstieg, Transalp, Montana and Gottardo on a coral pink background
Arosa typeface displaying its range of weights from Thin to ExtraBold, plus Italics, on a coral pink background
Large white letter S on black background alongside pink panel displaying typeface names Aufstieg, Transalp, Montana and Gottardo
Retro cartoon character with a round face and mechanical features against bold black and pink typography announcing typeface releases
Vintage-style illustration of a streamlined train with decorative lettering promoting Kerning Systems and a big closure announcement on a coral pink background
A Hägk typeface specimen showing large black letterforms against a coral pink background with a whimsical illustrated character and German text labels for different height measurements
Share