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A closer look at an ambitious typographic project from the people who brought us the Comedy Carpet

The Comedy Carpet in Blackpool has quite rightly been one of the most celebrated public art and design projects in recent years, showing that public work need not mean bland, and that art need not be exclusive or elitist.

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Close-up of granite ground installation showing large black typography spelling "LIST" alongside text listing historical cargo items like "DRAGON'S BLOOD" and "DUTCH EGGS

Created by artist Gordon Young and designer Andy Altman of Why Not Associates, the 2,200m2 work in front of Blackpool Tower typographically displays jokes, songs and catchphrases from throughout the ages by more than 1,000 comedians and comedy writers. It’s a tough act to follow for the team, but it’s given it a damn good go in the form of a new installation in London’s docklands area, Trading Words.

The piece is again based on the ground, and is created from granite as an ongoing piece that over the next few years will reach a whopping 300m in length. Instead of gags, the piece will display a list of cargo goods that have made their way through London’s docks over the past 400 years including Dragon’s Blood (a red resin dye) or Bear’s Grease (a 19th Century hair-loss treatment).

Young says: “The lists and inventories of items, which had crossed the site over the past centuries, are so lengthy that they seem to stretch into infinity and beyond! They came into existence because every word had a value attached. Andy and I distilled the words into a confection which made us curious and think of them as a poetic representation of this immense tide of things from all over the globe which happened to accumulate in this spot in East London.’  

Detail of granite floor installation showing typography with words including "Sounding", "Heel", "Motion" and "Lucifer" from the Trading Words public art project
Aerial view of the Trading Words installation showing white text panels listing historical cargo goods set into dark granite paving in London's docklands
Overhead view of Trading Words granite installation showing categories including Sounding Boards, Stationery Quicksilver Bristles, Rebel Sabhadh, Lucifer and other historical cargo items listed in the public artwork
Close-up of the Trading Words installation showing large black typography on granite displaying cargo goods from London's docks
Granite monolith with "GIRAFFES" text displayed on it, positioned in front of a modern curved building with scaffolding visible on its side
Two large stone casting moulds with typographic letter designs leaning against a grey wall, used for the Trading Words installation in London's docklands
Close-up of a CNC machine carving typographic text into granite for the Trading Words installation, with text visible on the stone surface and machinery components above
Close-up of metal printing type blocks sorted in a yellow tray, showing various letters and numbers used for typographic design work
Artist Gordon Young leans over a table with typographic letters and components for the Trading Words installation, with turquoise text designs pinned to the cork wall above
Hands holding a large grey stone letter W, part of the Trading Words granite installation, with green patterned samples visible on the work surface
Person examining large wooden trays containing metal typography and letterpress elements laid out on a work table
Typographic design showing historical cargo goods traded through London docks, including lace, lead, lemons, tortoiseshells, cream of tartar and spokes, arranged in a grid layout with "QUILL" text on the right side
A typographic diagram showing historical cargo goods traded through London docks, organised into categories including Arrow Root, Herrings, Goats, Gold and Silver Polish, Leeches, and Walnuts
Black and white typographic diagram showing categories of cargo goods historically traded through London docks, including sounding-boards, stationery, elephant teeth, lucifer matches and chariots
Six vintage circular tins and jars of bear's grease and similar products, arranged in two rows, featuring decorative labels and illustrations of bears
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