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Amusing oil paintings of the Louvre in Paris that show the sadness of technology

We've all been to art galleries and enjoyed wandering through each space to discover classic and contemporary works of art; but have you ever seen oil paintings that capture that experience? Of people in art galleries looking at art?

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Crowds of visitors at the Louvre hold up phones and cameras to photograph artwork on a vibrant pink and yellow gallery wall, with the Mona Lisa visible in the distance

American artist Michelle Ramin decided to paint about her trip to the Louvre in Paris – something she'd dreamt of visiting her whole life – and created a series of oil paintings that capture the maddening crowds and excited atmosphere of France's most famous gallery.

However, during her first visit – she and her husband didn't anticipate just how busy the space could get, or that people would be fighting over each other to take pictures with their cameras or smartphones. On seeing the Mona Lisa she said: "I looked through the doorway and the excitement quickly turned to frustration and anger. Where was she? All I could see was a huge pile of people, pushed up against each other like an ant hill that’s been disrupted. The Mona Lisa was hidden behind a sea of endless faces. And not just faces – but cell phones, screens, cameras and arms stretching as far as they could get their tech into the air.

"It was kind of an amazing experience. Not at all what I had expected – much more grotesque in a way. But also so much more contemporary and a representation of us, of me, of you, of all of us. This is what life is like now – waiting in line is no longer about making awkward eye contact with your neighbour and possibly striking up a conversation about the weather or the untimely death of a rock icon. It’s about living alone in our worlds through a glowing, swiping screen."

When she returned to America, Michelle decided to make this body of work about the distance created between reality and our digital lives. She added: "Rather than rely on the endless flood of photos from social media, I use oil painting as a means to force myself and the viewer to slow down and dissect these moments of group interaction/disconnection. Recreating not just famous artworks, but also the portraits of those experiencing them has led me to a deeper questioning of art history’s evolution; how will the canon of essential art be considered once it becomes merely another set of digital blips in the social media feed, one that is ever-faster flying by?"

Hailing from North Central Pennsylvania by way of Portland, Oregon, Michelle received her BA from Penn State University and her MFA from the San Francisco Art Institute. She has exhibited locally and internationally, and was awarded the prestigious San Francisco Bay Guardian 2014 Goldie Award for Excellence in Visual Art. She currently lives and works in San Francisco.

Via BoredPanda | All images courtesy of Michelle Ramin

A group of people sit on benches facing a blue and purple impressionist painting on a gallery wall, many absorbed in their phones and cameras rather than viewing the art
Visitors crowd around an artwork in a museum gallery, with some seated on a bench in the foreground while others stand viewing the painting on the green wall behind them
Person holding up a smartphone to photograph a framed painting on a bright green gallery wall, capturing the modern museum experience depicted in Michelle Ramin's oil painting series
Museum visitors in period clothing gather beneath arched galleries beside a white classical statue in Michelle Ramin's oil painting of the Louvre
A group of visitors sit on a bench viewing artwork in an ornate gallery space with gold-coffered ceiling and classical sculptures, capturing the Louvre experience through oil paint
Woman with auburn hair viewed from behind looking at an oil painting of a child in a red coat within an ornate gold frame against a blue wall
Man in teal shirt standing beside a table displaying abstract oil paintings in an art gallery with yellow floor and grey walls
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