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Parker crafts modern new identity for historic mattress brand Ostermoor

Consumers like the idea of established brands, but "old" and "mattress" aren't words that go together well. Ostermoor teamed up with Parker to help square that circle.

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Computer monitor displaying Ostermoor's new identity on a wooden table against a sage green panelled wall

In general, we like companies with decades of experience and expertise. They're far more likely to know what they're doing and provide good value. However, when we think about mattresses, we tend to gravitate to new, flashy brands with access to the latest supportive technologies.

So Ostermoor, a historic mattress brand with roots dating back to 1853, needed to steer a careful balance between positioning itself as a standout player in the modern direct-to-consumer (DTC) mattress market while honouring its rich history.

Person in white linen clothing holding a white pillow with purple flowers blurred in the foreground
Ostermoor logotype in elegant serif typography on a textured neutral background

As one of the most innovative American mattress makers of the mid-1800s, Ostermoor provided modern amenities like order-by-mail, doorstep delivery, and a satisfaction guarantee long before these offerings were in vogue.

Seeing an opportunity to reclaim that history of innovation, they turned to Parker, a holistic design studio based in Seattle.

The brief

The brief was a rebrand that was steeped in heritage and craft but with the ambition to chart a new path for the DTC mattress industry.

Ostermoor & Company was founded in 1853 in the bustling Manhattan neighbourhood known today as Nolita. At a time when mattresses were made with horsehair or straw, their mattresses were "built not stuffed" by hand, meticulously designed with layers of innovative and comfortable materials that could stand the test of time.

Person relaxing on striped bedding with floral patterned pyjamas wearing sage green slippers, purple flowers in vase beside bed
White Ostermoor pillowcase with blue embroidered logo detail, displayed against blue and white striped bedding

Even now, Ostermoor remains the sole manufacturer of its mattresses, eschewing white-label production and instead designing and building them at their Massachusetts factory.

"Their commitment to technical and practical innovation provides a higher quality product that utilises toppers and hand-quilted tufting not found in other bed-in-a-box businesses," explains Tyler Eide, founder and creative director of Parker. "And they have a rich history – one with the potential to fuel a powerful brand in a market in need of new ideas."

In building the new brand, Parker worked to maintain Ostermoor's equity and differentiate it from the existing market.

Visual direction

Taking inspiration directly from the company's original customer-facing literature – featuring drop-caps, ornate typography, illustrations and timeless colours – Parker aimed to reference the brand's while making something fresh and interesting.

Title page of The Witchery of Sleep compiled by Willard Moyer, published by Ostermoor & Company in New York, 1903
Ostermoor product tag with "Maintaining Your Ostermoor" heading and care instructions printed on cream-coloured card with brown string loop
Close-up of blue striped Ostermoor mattress showing texture detail and branded label with handle on side seam

This resulted in a new brand identity, verbal identity, art direction, photography, and content, as well as an all-new e-commerce website, which was created alongside development partner Baggy.

Logo design

The overall visual direction references Willard Moyer's The Witchery of Sleep – originally published by Ostermoor in 1903 as a study on the importance and value of sleep and rest. Parker found this inspiration rich with an allegory about the phenomenon of sleep and the significance of dreams – lending the brand a subtle mystical quality.

The wordmark is a classically refined and enchanting custom serif featuring interlocking Os and brimming with personality. The shapely letterforms are also abstracted and used throughout the visual identity, including in an assortment of graphics used across product packaging and beyond.

The monogram, similarly inspired by the ornate filigrees found in The Witchery of Sleep, is a fittingly sleepy flower. The brand colours include various earth tones, ranging from warm creams and pale greens to rich reds. Ornate frames and a classic drop cap punctuate the overall identity.

Verbal identity

Parker also created a verbal identity that balanced tradition and modernity. By updating original brand taglines, their team developed an engaging, charismatic, and charmingly self-assured voice.

Ostermoor's branded envelope featuring the company name in decorative serif lettering, a red wax seal, and text stating "America's quality bedding since 1853" and "New York City, NY, United States
Closeup of blue and white striped fabric with a grey webbing strap and black buckle branded with Ostermoor logo

"It Must Be an Ostermoor," "For the Love of Good Sleep," and other brand messages powerfully encapsulate Ostermoor's promise of high-quality products and customer satisfaction—one that has helped the brand stand apart for more than a century.

"Modern customers demand brand worlds that authentically reflect their business values, with substantial visual depth and compelling storytelling," adds Tyler. "With Ostermoor, we've created a brand that has this in spades, leveraging a unique history that's perfectly positioned to engage those wary of the current homogeneous and uninspired DTC mattress market.

"We knew we could hit this nail on the head – and then some – and we're proud that we've been able to help introduce this venerable brand to a new audience."

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