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Fred Perry new flagship store in Soho hums with music and attitude

The British icon's new spot on Lexington Street blends music, subculture, and modern retail to create a space that feels more like a museum than a store.

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Fred Perry has come home. The British icon has opened a new flagship on Lexington Street in Soho. It's a space that feels less like a shop and more like a museum, featuring glimpses of everything the brand has stood for over the past seven decades. Designed by longtime collaborators Brinkworth, it taps into the energy of Soho's music scene while keeping its eyes firmly on what's next.

Because if Fred Perry does anything well, it is that tension between heritage and rebellion.

Where tennis met trouble

There is a story often told about Fred Perry. It's the mid-sixties. A group of club-goers spill out of Soho's legendary Flamingo club, climbs a drainpipe, breaks into a nearby Fred Perry shop and ignores the tennis gear completely. Instead, they grab the bold new shirts with sharp twin tipping.

What began as a tennis brand quickly became a uniform for youth culture. Mods, rudeboys, Northern soul fans, punks. They all claimed and reshaped it whilst the establishment watched on, slightly horrified. And that spirit runs straight through this new space.

A store that sounds as good as it looks

Brinkworth's concept is called 'BIG Sound', and it is exactly that. The idea is simple: If music drives culture, then let it shape the architecture too.

The store is filled with subtle references to sound. Fixtures echo speaker cabinets. Bespoke audio equipment by Friendly Pressure brings the space to life. It is immersive without trying too hard.

"If music is the vehicle for culture, then here, we want it to guide us architecturally," says Katie Pengilly, associate director at Brinkworth. "Not in pastiche but inherently, subtly, beautifully."

Soho, but not as a museum

It would have been easy to lean into retro clichés — Soho has history dripping from every corner. Instead, the space feels modern.

There are nods, of course. The 100 Club gets a quiet tribute through red tones and photography woven into fitting rooms and the cash desk. A neon Laurel Wreath lights up the façade. A mirrored ceiling installation casts blue light down a curved staircase.

Then there is the giant white tennis ball. A playful reminder of the brand's roots, back when balls were not even yellow yet. It sits in full view, almost daring you to connect the dots between polite sport and subcultural takeover.

Designed for people, not just the product

What's especially lovely about the space is how it invites you to slow down. There's an archive wall upstairs that feels like an exhibition. Shirts are treated like icons, not just stock, and product density is low, giving plenty of room to breathe. You are encouraged to stop, look and think.

It's a smart move when we're all so sick of endless scrolling and fast everything. Richard Gilmore, managing director at Fred Perry, sums it up: "For our Soho homecoming, we wanted to reference our history in the district and our subcultural heritage in a way that feels modern and relevant."

Why this matters right now

Fred Perry has always had a link to real culture and real people, and the new store leans into it with quiet confidence. Sonny Cant, design director at Brinkworth, says it best: "The Soho flagship store speaks to the brand's rich heritage in Soho and music culture, but balances nostalgia with the 'mod' mindset of looking forward."

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