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Grant Gasser explores the concept of vanity as 'less about narcissism and more about ephemerality'

Hailing all the way from Nashville, Grant Gasser works across art, design, film and photography.

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Pages from Grant Gasser's Hebel zine showing abstract forms and distorted imagery in three-colour risograph print with hand-cut edges

His latest project, Hebel, explores the concept of Solipsism through a printed zine and accompanying exhibition. The project is a thematic progression from his Everyone is So Near zine, published in October 2018, yet Hebel "provides a more hopeful and accepting outlook," he says. "While Everyone is So Near comes from and overwhelmed and gasping place, Hebel provides a newfound absurdist peace and tranquillity."

He adds: "With this project, I wanted to explore the idea of vanity and the many ways it is defined and approached."

Hebel is the Hebrew word for vanity and directly translates to "mere breath" or "vapour".

"With this perspective, vanity becomes less about narcissism and more about ephemerality," says Gasser. "My goal is to visually interpret the conflict between making our time on this earth meaningful and realising that in retrospect our existence is temporary a 'mere breath'. Given that, I hope to suggest implications of peaceful existence and liberated enjoyment, implications that I believe to be equally possible in this philosophy."

The publications were three-colour risograph printed, hand cut and hand bound with a limited run of 15, showcasing mostly pastel drawings accompanied by distorted images and forms; while the accompanying wall art uses a combination of limited-run three-colour risograph prints and wheat pasted photo prints on canvas.

An open page spread from Grant Gasser's Hebel zine showing an abstract red and black ink drawing on the left and a Billy Pilgrim quote about serenity on the right
Stack of hand-bound Hebel zines with pastel drawings and distorted forms, showing the three-colour risograph printed pages fanned out
Stack of hand-bound pages from Grant Gasser's Hebel zine featuring risograph prints, hand-drawn elements and abstract forms on kraft paper
Two stylised portraits with flowing, abstract features printed in blue, red and black on cream paper, part of Grant Gasser's Hebel zine project
Grant Gasser's Hebel zine spread showing abstract red and black organic forms on the left page and a hanging textile with a Billy Pilgrim quote on the right page
Person in green shirt viewing Grant Gasser's Hebel zine at an exhibition, with artworks displayed on white brick wall behind them
Two visitors view Grant Gasser's Hebel exhibition featuring three-colour risograph prints displayed on a gallery wall with geometric line work overlay
Two visitors view Grant Gasser's Hebel exhibition featuring framed risograph prints with zebra-stripe patterns and abstract imagery on a gallery wall
Three visitors view Grant Gasser's Hebel exhibition, featuring wheat-pasted prints with bold black line work and framed colourful hand-drawn pieces on the gallery wall
Person in green shirt holding open Grant Gasser's Hebel zine showing hand-drawn and distorted imagery on cream pages
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