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Animal Farm: Artist transforms everyday objects into beautiful animal sculptures

In his series Animal Farm, Miami-based Colombian artist Federico Uribe creates beautiful animal sculptures using the most ordinary, everyday objects, including everything from thousands of shoes, champagne corks, coloured pencils and shoe laces.

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Sculpture of a horned bull's head constructed entirely from champagne corks and other everyday objects, with black bristles along its spine

Born in Bogota, Uribe's artwork resists classification. Rooted in the craft of sculpture and paint, it rises from intertwining everyday objects in all possible and surprising ways, but still with a formal reference to the history and tradition of classical art.

Uribe studied art at the University of Los Andes in Bogota and in 1988 left for New York to study a Master of Fine Arts degree under the supervision of Luis Camnitzer. It was the beginning of a journey that included years of studies and work in Cuba, Mexico, Russia, England and finally Miami.

Initially his formation began as a painter with sensual and brooding canvases influenced by his dark reflections on the Catholic sense of pain, guilt and sexuality. In 1996, abandoning his paintbrushes and attracted by the usually neglected beauty of simple objects in daily use, he began to observe them with care, collect them, set them side by side and combine them. They became unusual instruments of a new aesthetic, full of colour, irony and lively playfulness.

Uribe creates sculptures which are not sculpted but constructed and weaved, in curious and unpredictable, repetitive and almost compulsive ways. They follow the classical canons of figurative and abstract art, but the result is absolutely whimsical, yet contains enormous efficacy and communicability. When observed up close, his artworks reveal various kinds of interpretations; they invite us to touch them, to discover the detail and connection between one element and another. When viewed from further away, they offer volumes, forms, textures and colour. Distance, proximity and perception are key factors in the interconnection between Uribe’s work and its viewers.

To discover more visit www.federicouribe.com.

Woven straw sculpture of a camel bending forward with a black stick protruding from its mouth, casting a sharp shadow on a white wall
Wooden pig sculpture constructed from interlocking curved wooden strips and pieces in natural tan and reddish tones
A large giraffe sculpture made from thousands of interlocking objects extends across a gallery space, with a figure in a patterned green and purple outfit standing nearby for scale
Sculpture of a crouching rat constructed from black shoes, wire and other everyday objects by Federico Uribe
Abstracted bull sculpture constructed from stacked cork, wooden and natural material fragments in cream and black tones
An animal sculpture by Federico Uribe constructed from stacked cork pieces, champagne corks and wooden fragments in cream and dark tones
Large black and white cow sculpture constructed from everyday objects including shoes, leather, and textiles, standing in an industrial studio space with hay on the floor
White sculptural cow made from thousands of small spherical objects arranged in a textured mosaic pattern
Golden llama sculpture constructed from woven straw-coloured material, standing on a grey floor against a white wall
Red tartan-patterned camel sculpture constructed from woven fabric by Federico Uribe, shown in profile against a white background
Sculpture of a cow constructed entirely from woven straw and natural fibres, with a cross-section tree ring detail on its head, standing against a white background
Wooden cow sculpture by Federico Uribe constructed from tan and brown painted wooden pieces with a green and black painted eye detail on its side
Wooden horse sculpture by Federico Uribe with colourful pompom flowers and red metal fan-like structures, standing in a pastoral installation with hay and fence posts
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