Photographs of children in costume, captured against the backdrop of post-Industrial South Wales Valleys

Captured against the backdrop of post-Industrial south Wales Valleys, these photographs by Clémentine Schneidermann and Charlotte James show local children in costume – often in surreal situations and incongruous with their surroundings.

All images courtesy of the artists and the Martin Parr Foundation. Via Creative Boom submission.

All images courtesy of the artists and the Martin Parr Foundation. Via Creative Boom submission.

The images are part of a series entitled It’s Called Ffasiwn, which will be exhibited for the first time at the Martin Parr Foundation, running now until 25 May 2019.

A hybrid of social documentary, fashion, portraiture, performance, and landscape photography, the photographs are set against pebble-dash houses, dramatic mountains, working men's clubs, and community centres, the children’s colourful clothes are juxtaposed with the more muted tones of their environment.

The 'Valleys' are a geographical area in South Wales, made up of small towns separated by mountains and hills. The disappearance of the coal mining industry in the 1980s has had a long-lasting impact on opportunities in the region. The photographs show the results of workshops with local children and with this creative collaboration, James and Schneidermann aim to subvert stereotypes of working-class Valleys towns and their residents.

The duo met in 2015 when Clémentine Schneidermann, originally from Paris, was living in Abertillery on a residency. Charlotte James, from the Valleys’ largest town, Merthyr Tydfil, had already been holding shoots locally, casting her subjects from the local community. They began to work together and for the past three years, they have run themed fashion workshops in two youth centres.

The workshop participants, aged 8-14, learn fashion industry skills such as customising clothes, sewing, styling and insights into the creative process. The workshops are an introduction to the creative industries and allow the young people to explore self-expression and idea generation, which in turn develop their confidence and self-esteem.

Drawing on their individual areas of experience, the workshops are designed by James and the photographs are taken by Schneidermann – but with fluid roles within the collaboration, the project only exists due to their symbiotic and intuitive creative partnership.

The duo said: "The photographs show that while the Valleys wear the marks of time, they’re no match for the elixir and hope of a new generation – the project is a celebration of this. The title came about after the first workshop and shoot.

"The girls were outside dressed up in their costumes and the boys on the estate were calling them names. Instead of being put off, the girls shouted back “It’s called fashion, look it up!”. The word fashion is also played with and translated to Welsh to show the humour of the project and the distance we take from the “real” fashion."

It’s Called Ffasiwn is on show at the Martin Parr Foundation until 25 May 2019. A zine of the project will be published by the Martin Parr Foundation to coincide with the exhibition.


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