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Surface Matters: giant raw and exposed sculptures by Ellen Hyllemose and Olivia Bax

Surface Matters at Fold Gallery this month is a two-person exhibition of sculpture by Danish artist Ellen Hyllemose and British artist Olivia Bax. An intimate presentation, it allows for an exchange between the artists that is intentionally exposed and raw, leaving little of the commonalities and divergences hidden.

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All images courtesy of Fold Gallery, London

All images courtesy of Fold Gallery, London

Of course, Olivia Bax is interested in the balance between planning and spontaneous making, between mass and detail. Her work considers how we view sculpture in relation to our wider built environment. All the pieces in Surface Matters start with a steel armature. There is no preconceived plan; the steel is a freehand drawing in space. But it also has a function. Like a traditional armature, it is the core and the framework on which to build. The steel armatures are covered with chicken wire, paper-mâché and paper pulp. An area of the armature (usually the most detailed section) is deliberately exposed.

These different layers dictate the tempo of making in the studio, varying from the laboured, intricate steel framework to an impulsive cladding of chicken wire and then a fast application of paper pulp surface. In the free-standing works Rumble and Roar, the first observation is form, colour, scale and their almost cartoon-like quality. The openings are like windows. Through the gap, we see the armature, a series of lines, like a drawing. Then we see through the linear to the work and space beyond.

Ellen Hyllemose's sculptures, meanwhile, are about surface and both external and internal space. The fabric surface is worked in and on, from behind and through. The artworks are hollow and the possibility of looking inside them makes the coloured fabric the focus for defining space, the space behind the surface.

"The fabric is used not only because of its ability to stretch but also for the embedded colour," explains Fold Gallery. "Lycra is artificial, intense and an intensely coloured material, which not only stretches to the shape of the form but also flattens it like clothes on a human body. The materials are common, practical and inexpensive and both move the work away from and towards the unusual. This puts the work on the edge between the familiar and the unfamiliar, between functionality and art giving room for the viewer to feel comfortable and at the same time detached."

Surface Matters runs until 2 June. More info at foldgallery.com.

Bright red abstract sculpture with undulating fabric-like surfaces and an exposed steel armature visible through an opening, suspended in a gallery space
Grey and crimson red fabric-covered sculptural forms suspended from ceiling, revealing internal steel armature framework through openings
A large fabric-wrapped sculptural form hanging from the ceiling, with exposed wooden elements at the base and a deliberately revealed opening showing the internal steel framework beneath the grey covering
White fabric draped over a steel armature with exposed internal framework and white rope details suspended from ceiling in gallery space
Turquoise sculptural form with organic curved surfaces and an open rectangular aperture revealing exposed steel linear armature within
Grey sculptural form with exposed steel armature, chicken wire and paper pulp, mounted on white wall with yellow-handled tools inserted through openings
Wooden block fastened with metal screws and bolts to the grey base of a sculptural work, showing the raw construction and armature detail
Turquoise sculpted form with exposed steel armature visible through an opening, alongside a grey abstract wall-mounted piece with yellow accents in a gallery space
Large white sculptural form with exposed steel armature and purple circular opening, displayed alongside a turquoise fabric piece in a gallery space
Grey and red sculptural forms with exposed steel armatures and paper-mâché surfaces hanging in a gallery space
Grey sculptural form with exposed steel armature visible through an opening, displayed in a white gallery space alongside other artworks
Red fabric sculpture on left with grey fabric-covered form suspended from ceiling and blue sculptural element visible in white gallery space
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