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Japan's largest publisher Kodansha, of Akira fame, launches new branding by Gretel

New York-based design studio Gretel has worked with Japan's largest publisher Kodansha, which is responsible for AKIRA and Pretty Guardian Sailor Moon, a manga created by Naoko Takeuchi that was developed into a Japanese tokusatsu television series. Haruki Murakami started his career with the publisher.

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Person wearing a camel coat holding a pink tote bag featuring Kodansha's new geometric logo design against a white brick wall

Gretel, whose clients include Netflix, The New York Times, MoMA, and Vice, worked with the publisher on a new brand film and global rebrand, marking Kodansha's first unified brand identity and logo since its founding 112 years ago.

Kodansha's new logo featuring a geometric square divided by intersecting lines in black, with the company name in bold sans-serif type to the right
Three Manga Previews booklets fanned out, showing colourful manga artwork on covers in pink, green and orange with white arrow logos

The idea behind the rebrand was to be the first step towards giving Kodansha a more visible global presence as an international media brand and a publisher. The rebrand was driven by the fact that Kodansha's core business was evolving across platforms and markets, including Kodansha USA, the subsidiary representing the brand in America. Gretel's partnership with Kodansha looked to both establish a global brand and better connect the company to the vast range of content offerings it publishes.

The new branding is used across various touchpoints including trade show designs, sonic and logo mnemonics, and a new brand video directed by Juan Cabral—the Argentine director who created the Cadburys' "Gorilla" ad—which follows stories from Kodansha as they take flight across the world.

Four colourful business cards in pink, green, blue and yellow featuring Kodansha's new geometric logo design by Gretel
Colourful square tiles in pink, purple, red, orange, yellow and cyan arranged on a grey surface, each divided into four sections by black lines, representing Kodansha's new modular brand identity by Gretel

The identity "hinges on making more conscious, meaningful connections between Kodansha and the content it produces," says Gretel. "The fresh identity, strategy, and brand architecture culminate in a powerful new global purpose statement for Kodansha: Inspire Impossible Stories."

The new logo aims to represent "Kodansha's position at the crossroad of all cultures—where many ideas, voices and stories intersect," says Sue Murphy, Gretel creative director. "It's also inspired by Japanese hankos, acting as a stamp of quality on Kodansha content, as well as a monogram."

The brand film, titled Taking Flight, looks to underscore the "boundlessness of Kodansha's creativity" and ability to excite all kinds of fans from across the globe.

To bridge the cultural divide between Tokyo and New York, Gretel and Kodansha also worked closely with Japanese entry partner Anchorstar during the studio's initial in-depth discovery stage of the process.

Magazine spread open on yellow background displaying Attack on Titan article with imagery and Kodansha branding in orange and white
Two red book covers for Kodansha publications: left shows "Manga Sampler" with illustrated characters in a white geometric frame; right displays "20 24" with overlapping typography listing manga titles on a bright red background
Six colourful manga book covers by Kodansha with the new unified branding in turquoise, green, pink, red, yellow and orange
Kodansha branded tube or cylinder featuring yellow, purple and red geometric logo elements on white background
Kodansha's new logo featuring abstract geometric shapes in black and white on a tilted square, set against an orange background
Three vertical Kodansha banners in green, red and cyan with the publisher's new logo mounted on a concrete and white building facade against a clear blue sky
Kodansha's geometric logo printed in black on a white fabric label against a blue background
Kodansha's new branding displayed on large banners featuring red and white manga artwork with turquoise geometric elements at a trade show
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