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Ian Rayer-Smith's romantic abstract paintings that fuse the figurative and the surreal

The award-winning Manchester-based artist Ian Rayer-Smith is having a solo exhibition of new paintings alongside some of his sculptures at London's Zari Gallery from 20 to 29 April 2017.

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All images courtesy of the artist

All images courtesy of the artist

Strongly influenced by the work of the abstract expressionists and the romantic light of the old masters, Rayer-Smith’s large oil and acrylic paintings effortlessly fuse abstraction, the figurative and the surreal. Consisting entirely of brand new works produced within the last year, the exhibition explores the very act of painting itself and the process of mark-making, which has been man's most basic form of expression for millennia.

"I like my paintings to carry an emotional charge," says Rayer-Smith. "Not only in its subject matter but also through the energy and visceral nature of the materials I use. Soft and amorphous, they accentuate the tactile feel of nature, avoiding any sense of repetition so as to constantly offer something new and surprising."

Voted one of Manchester’s Top 10 Artists by Manchester Confidential and Winner of the 2014 Warrington Contemporary Prize, Ian Rayer-Smith has been hailed as one of the North’s artists to watch. This is his first solo exhibition in London. Find out more at www.ianrayersmith.com.

Abstract painting with expressive splashes of purple, green and black paint on a pale background, suggesting organic forms amidst gestural marks and drips
Ian Rayer-Smith abstract oil and acrylic painting with organic forms in rust, black and cream tones against a pale turquoise background
Abstract painting in greens, pinks and yellows with gestural brushstrokes and layered marks suggesting a romantic, figurative composition
Abstract painting by Ian Rayer-Smith depicting a surreal figure with windswept dark hair and textured white and teal brushstrokes against a pink and grey sky
Abstract expressionist oil painting with gestural brushstrokes in warm oranges and reds blending into cooler tones of blue, grey and cream with black linear marks throughout
Painterly composition featuring a textured bird-like form with drooping feathers suspended above two white eggs and a glowing fire, set against a dark water landscape in muted tones
Ian Rayer-Smith's abstract painting with layered brushstrokes in yellows, greens, blues and greys blending across cream and white canvas
A sculptural green head with elongated features sits centrally in an abstract oil painting with swirling white, green and blue brushstrokes suggesting a misty landscape
Abstract painting with gestural brushstrokes in teal, black, orange and cream combining figurative and surreal elements
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