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A typography tribute to Darwin's On the Origin of Species shows the book's own evolution

It must have been some feat for British graphic designer Simon Phillipson to create a new edition of Charles Darwin's classic On the Origin of Species, highlighting all the linguistic changes the famous naturalist made between the book's first and last publication.

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Multiple copies of Simon Phillipson's edition of On the Origin of Species arranged at angles, showing decorative botanical borders in rust and cream on white covers against a grey background

The evolutionary format of the new book allows you to see all the alterations Darwin made over 13 years, from 1859 to 1872, as he tested, reviewed and better understood his own theories and responded to his critics.

Covering 964 pages, printed on 30 gsm bible paper (a reference to an "atheist's bible", according to Simon), and printed with black and special metallic bronze ink, this soft-bound book isn't just a treasure for Darwin fans that uncovers a hidden story; it's also a beautiful tribute to typography and design. And it's all set from the original Victorian letter-pressed typesetting of the final edition printed in 1872.

Cloth-bound edition of On the Origin of Species by Charles Darwin, featuring an ornate rose and cream decorative border with central cartouche containing the title and author name
Open book spread showing Chapter VI with the right page displaying the final edition text and the left page showing editorial changes and variations in red and brown ink across Darwin's On the Origin of Species

Although similar editions have been made over many decades, Simon's version is unique in that it doesn't read like a traditional book: you see the full text of the final edition of Darwin's book displayed on the right page leaf and all the corresponding changes he made presented on the left.

What you end up seeing are punctuation marks, words, sentences and paragraphs that have been lost or edited over the last 162 years. It's an incredible achievement for Simon who began the project while studying Typographic Graphic Media Design at the London College of Communication in 2010. "Combining my interest in Darwin's story on evolution and letterpress printing and book design, I started out with a rough theme for this project," he tells us. "Eventually, it became clear to me that I wanted to create a book that visualised 'the evolution' of the story on evolution. By highlighting all those changes made between each of the six editions."

Open pages of Simon Phillipson's On the Origin of Species edition showing the final text on the right and Darwin's edits highlighted in bronze ink on the left page
Front and back covers of On the Origin of Species by Charles Darwin showing ornate copper and cream decorative borders with centred text

It wasn't until a few years later that Simon decided to revisit the project, finishing off the remaining 13 chapters to complete and publish the book. "The research and design of the remaining chapters took me several years to complete. Over that time, I analysed and compared by hand, each of the six editions simultaneously to track the alterations and changes made between the different editions," Simon continues.

"Once I had completed this step, I then typeset the 'lost text' on the left page, and to match the final book text on the right page. All of this had to be done manually in order to recreate the exact layout of the letter-pressed edition of the book released in 1872."

You can purchase Simon Phillipson's typographic-inspired variorum edition of On the Origin of Species at www.simonphillipson.com. And follow its story on Instagram @DarwinEditions or Twitter.

Open pages of Simon Phillipson's edition of On the Origin of Species showing Darwin's textual changes in bronze and black ink on the left and final edition text on the right.
Open book showing Simon Phillipson's edition of Darwin's On the Origin of Species with evolutionary diagrams on left pages and body text on right pages
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