It’s saddening to realise that homosexuality was only "partially" decriminalised in the UK 50 years ago; and perhaps more so to consider that we’re still seeing homophobia today. But queer identities aren’t about legislation, or politics: they’re about a sense of self and an expression of sexuality, and individual experience. Just as we wouldn’t societally sweep a broad brushstroke over what "heterosexual identity" means, we shouldn’t do the same with LGBTQ ones either.
Such rich and varied selves and identities are superbly expressed through creativity, as a forthcoming show at London’s Tate Britain gallery proves. The exhibition Queer British Art 1861 - 1967 is to display artworks created from the abolition of the death penalty for sodomy in 1861 to the passing of the Sexual Offences Act in 1967. This near century-long period was a time that saw many radical shifts in how artists and non-artists alike viewed and presented gender and sexuality, and it’s easy for us today to forget just how risky it was to be gay 100 years ago, how maligned queerness was in years gone by.
The exhibition will feature work by artists including David Hockney, Francis Bacon, Keith Vaughan, Evelyn de Morgan, Gluck, Glyn Philpot, Claude Cahun and Cecil Beaton alongside erotic drawings by Aubrey Beardsley, queer ephemera including the door from Oscar Wilde’s prison cell, personal photographs, films and publications.
One room of the space will be devoted to the famously Bohemian and sexually open artist coterie the Bloomsbury set, featuring paintings of various members and their lovers and commissions by artists including Duncan Grant and Ethel Walker. Elsewhere, we’ll see examples of Pre-Raphaelite works that hint at coded desires, and the swinging nature of Soho in the 1960s.
"Spanning the playful to the political, the explicit to the domestic, Queer British Art 1861-1967 will showcase the rich diversity of queer visual art and its role in society," says Tate Britain. "Many of the works that will be displayed were produced in a time when the terms ‘gay’, ‘lesbian’, ‘bisexual’ and ‘trans’ had little public recognition…
"Queer British Art 1861-1967 will show how artists and audiences challenged the established views of sexuality and gender identity between two legal landmarks. Some of the works in the show are intensely personal while others spoke to a wider public, helping to forge a sense of community."
The exhibition runs from 5 April – 1 October 2017.
All images courtesy of Tate | Main image: Duncan Grant Bathing 1911 Oil paint on canvas 2286 x 3061 mm © Tate